In 2013, just as I was finishing my Masters in Science Communication at UWE Bristol, I was asked to help film the euRathlon robotics competition in Germany. euRathlon was inspired by the situation that officials were faced with after the nuclear accident in Fukushima in 2011. The competition challenges robotics engineers to solve the problems of dealing with an emergency scenario, pushing innovation and creativity in the robotics domain. The project is led by Prof. Alan Winfield from UWE alongside seven other partner institutions. The 2015 euRathlon competition in Piombino, Italy combined land, sea and air challenges for the robots to overcome. Our 2015 film team included three of us (Josh Hayes Davidson on graphics, Charlie Nevett on camera and myself – Tim Moxon – as producer and sound engineer), taking with us all the lessons I learned from 2013.
Filming robots, particularly complex robots designed to respond to emergency scenarios, is a daunting task. Trying to make sure that we didn’t get too technical was always going to be a problem. We had the additional issue that English was not the first language of most of the people being interviewed which really added to the challenge. Taking care and with plenty of re-shoots we managed to get round both of the problems by sticking to the golden rules: take it slow and keep it simple. This made sure that we never lost sight of what we were trying to do. Our focus was always to bring 21st century robotics into the public eye.
The first two days of the competition presented the individual land, sea and air trials. On site we first created two “meet the teams” films where we interviewed all 16 teams and got to know them. Luckily they were all super friendly and very cooperative which meant we got all the teams interviewed in two days. After that the real work began. The land trials were easy enough to film and get a good story line of shots as the robots were almost always visible. However the underwater robots required a bit more imagination. In the end a GoPro on a piece of drift wood got us the shots we needed.
The aerial robots had some issues too as getting long distance shots was not always easy. Fortunately Josh and Charlie were more than up to the task.
Day 3 and 4 focused on combining two domains, so land and sea or air and land etc. Day 3 went well with fantastic interviews with judges and teams helping to really give some depth to the videos. Again underwater proved to be a bit challenging but we managed, with the help of some footage given to us by the teams that they took on-board their robots. Day 4 didn’t go as well as the second half of the competition had to be cancelled due to strong winds. Wind had been an issue throughout the competition and all of our equipment required regular cleaning to keep the dust out, as well as dealing with constant wind when recording sound.
That day however you could barely stand in the open for all the dust and sand being kicked up by the wind and getting good sound for interviews was nearly impossible. We could only hope that the weather improved for the Grand Challenge.
The final days were the Grand Challenge, as much for us filming as for those competing. The timescale was starting to tighten as we only had two days to film, cut and polish the remaining two videos. With increasing pressure to produce high quality products we pulled out all the stops. Fortunately all the teams rose to the occasion and provided us with some spectacular on-board footage as well as some nice underwater diver footage. The Grand Challenge turned out to be a great success with all the teams at least competing even if they didn’t all finish the challenge.
Tim Moxon completed the UWE Bristol Masters in Science Communication in 2013.
For more information about EuRathlon please visit the project website.