To apply for the bursary, you must have applied for the MSc Science Communication by Friday 5th June 2020 and be wishing to start the course in September 2020. Only those who have been or who are in the process of being offered a conditional or unconditional full time place will be considered eligible. The bursary may only be used on the Science Communication courses offered at UWE Bristol.
MSc in Science Communication is taught at UWE Bristol’s Frenchay campus. If
however restrictions due to coronavirus are in place during part of the
programme, full teaching will be provided online so that your learning is not
To apply for the
bursary, please complete one of the following;
Write a short popular article that is no more than 300 words long on an area of science, health or the environment. The article should include a headline. Also provide brief details of the publication where the article would appear, outlining its audience, the types of article it publishes and why your article is a good fit with the publication – this should be no more than 200 words. The chosen publication should be a newspaper, magazine or website that covers science-related topics for non-experts.
Write an outline for a science communication activity (maximum 500 words) on an area of science, health or the environment. The outline should describe the planned activity, give an indication of content and details of the target audience.
Your work should be emailed to Andy Ridgway (details below) to be received by 5pm on Monday 15th June 2020. You will be informed if you have been successful in your application for a bursary by Friday 3rd July 2020. The successful applicant should inform us if they are subsequently successful in receiving funding from a different source or sponsor i.e. employers, local schemes, so that the bursary may be allocated to a different student.
Further information on UWE Bristol fees, studentship and bursary advice is also available here:
If you are not interested in applying
for a bursary, the deadline for applications to the programmes remains the 31st
July 2020. Please note – we are currently receiving a high number of
applications and would encourage you to apply as soon as your application is
At the height of the
recession in 2008, deciding what to study at university took me a lot longer
than expected. I was torn between English or pursuing a career in conservation.
Science inevitably won, so I packed my bags and moved 250 miles down the road
to study for my undergraduate degree in Cornwall. Due to personal factors I
struggled with the curriculum at times, but soon realised that the work I enjoyed
most involved communication.
When I finished my degree, applying for an MSc in Science Communication was a no brainer. Bristol is a lovely city and the course at UWE had great reviews. Being able to put learning into practice is key for me, so I took hands-on modules in writing and broadcasting science – which I thoroughly enjoyed.
I had finished my dissertation in 2012, I found myself interviewing for my
first job in science communication. I joined a tiny team at a sustainability
organisation, where I worked on communications and events. Being part of such a
small team proved a rapid learning experience and equipped me with the skills
needed to move to the next level.
liked living in Bristol so much when studying for the MSc that I decided to go
back a few years later. I managed to secure a role at the Biotechnology
and Biological Sciences Research Council (BBSRC), about an hour away from
Bristol. The daily commute wasn’t fun, but I had job satisfaction. As a media
officer, I was tasked with processing complex journal articles into digestible press releases, pitching science stories
to the media and working in tandem with other teams.
at BBSRC I met many interesting people, forging connections with academics
and media colleagues. After nearly 3 years, I decided to go it alone as a freelancer.
I was petrified as I didn’t know whether being my own boss would be sustainable
in the long run. Nearly 5 years after completing my MSc, I found myself opening a business and began contracting for
charities and science organisations. I worked for Autistica,
the UK’s leading autism research charity, developing communications to secure
donations for autistic people and their families during World Autism Awareness
Week. The Science
Council were another client, as well as the Gatsby Foundation based in
London. For nearly two years I worked on their Technicians
Make it Happen campaign, challenging stereotypes and raising the
profile of our technical workforce.
it alone brought some life-changing opportunities. I was lucky enough to tour
Scandinavia and moved to Iceland in 2017. I decided to take a mini career break
but ended up doing something entirely different. In the summer I started an
internship at the Reykjavik Grapevine, Iceland’s no.1 English-speaking
newspaper. Working as a reporter,
I did some really weird but amazing things. I met a ‘real-life Viking’, chased
birds across the country and got trippy in a Native American sweat lodge (a
tradition brought to Iceland by Björk’s mother no less). My favourite moment
a night alone in a yurt on an island in
Fast forward to 2019 and I’m, you guessed it, back in Bristol. I now work as a Senior Communications Officer for the Department for Environment, Food and Rural Affairs (Defra), highlighting threats to the nation’s trees. I get to design communications campaigns and lead on delivery. It’s an ideal job. Who would have thought 10 years after ‘choosing’ between science and communications, I’d have the best of both worlds.
You hear a lot of advice from people when you are thinking of setting up a podcast. People have all sorts of opinions about how long episodes should be, what you should talk about, how you should talk, how often you should release episodes. I’m not sure any of them are right. Think about the podcasts you listen to. Are they all the same length as each other? All the same format? All series or all regular? I doubt it.
I’m the host of The Cosmic Shed podcast which was recently named as one of the Guardian’s favourite podcasts of 2018. It’s recorded in the crumbling garden shed at the bottom of my garden, somewhere in suburban Bristol. It really is an awful shed but guests on the podcast include Tim Peake, Alice Roberts, Benedict Cumberbatch, Nichelle Nichols and Chris Hadfield. We discuss science fact, science fiction and everything in between. Occasionally we take the podcast on the road for live events, like our takeover of Bristol’s planetarium with Andy Weir, the author of The Martian.
Podcasts are what the hosts make them to be. If you’re
thinking of setting one up, think about what your favourite podcast are and why
you like them. The thing that the best all have in common is that the people
hosting and presenting them have a huge passion for their topics. That passion
is infectious and vital for the listener but it takes many forms. My favourite
podcasts are a mixture of scripted, well researched shows like Caliphate and
RadioLab and the more relaxed, informal formats like Spooktator and The Adam
The idea for The Cosmic Shed came to me while I was studying
for the MSc in Science Communication at UWE. I had recently moved to Bristol
and bought a house which needed a lot of work. A lot of work. Water came up through
the floor and down through the ceiling. The waste pipe from the toilet went out
onto the roof. That’s the end of that sentence but I would add that this part
of the roof did not leak. In the garden stood a shed. A truly awful, rotting
shed with more holes than the house and half the floor missing. “That looks
like a great place to record a podcast”, I thought.
Several years later, The Cosmic Shed podcast has over 100
episodes, won awards and, yet, the shed still looks awful from the outside.
There are a cohort of co-hosts for the Cosmic Shed. We have a nanoscientist Dr Maddy Nichols, an aerospace engineer Dr Steve Bullock, a film nerd (understatement) Timon Singh and more regular guest/hosts like Tushna Commisariat (Physics World) and Achintya Rao (CERN). We all have our own expertise and our own loves of science fiction.
We get a fair amount of correspondence from people who tell
us that we are like friends to them. They look forward to our episodes and feel
like they are sitting in the shed with us as they listen. If you think of your
favourite podcasts, I suspect you’ll find most of them have regular hosts who
you get to know and like. It’s one of the main reasons why people like
podcasts. Not that that is deliberate from our point of view. I believe that
it’s just a natural consequence of the way we record the podcast.
The Guardian newspaper described us as a “light-hearted, curious and nerdy listen” and I think that’s what you get if you put a group of friends in a terrible shed, watch a bit of science fiction and record the conversation.
Your podcast should be as long as you want it to be, as often as you want it to be and about what you want to it be about. That way, you’ll enjoy doing it as much as your listeners love listening to it.
If you are a podcaster or you are thinking of becoming one,
do feel free to get in touch. I’d be delighted to have a chat with you but
beware. The first question anyone asks me is how we get such brilliant guests.
I never answer it.
As 2018 draws to a close, it’s over 15 years since we launched our first postgraduate programme in Science Communication. Today, we’re delighted to be launching our latest offering, designed to meet the needs of students wherever they are based. As our MSc Science Communication and Postgraduate Certificate in Practical Science Communication grow in numbers year on year, we’ve become more and more conscious that science communication is a growing field, both in the UK and internationally, but not everyone who would like to develop their expertise is able to travel to Bristol to study with us.
Over the last three years we’ve provided two, entirely online, CPD courses in science communication, which have provided training to over 100 students around the globe. Drawing on the learning we’ve gained from delivering these courses, we are pleased to offer the next generation of science communication students the chance to study for a Postgraduate Diploma in Applied Science Communication, without ever visiting our campus here in Bristol.
The programme has been designed to provide students with an applied and practical introduction to the science communication field, alongside the opportunity to develop their understanding of science communication research and techniques. The programme is intended to appeal to students with interests in face-to-face science communication (such as festivals and museums), science communication in digital environments, as well as the written form. A final research skills and project module will also equip students with key skills in science communication research and evaluation techniques. Students will leave the programme with all of the skills necessary to both convey and communicate scientific concepts, and assess the impact of that communication. Thus, the programme will appeal to recent graduates and those already working in the field alike.
One unique aspect of this programme, for UWE Bristol, is its entirely online delivery format. This will allow students, wherever they are based, and alongside other commitments, to undertake a UK science communication qualification. Students will also be able to direct their learning towards topics and examples of relevance to them, in their home and working environments, as well as cultural contexts, and even though it’s online, we’ll be using the latest techniques to help them to network with our staff, as well as each other.
In developing this new programme we’ve worked with staff throughout our team, as well as having input and insights from our current postgraduate students and stakeholders who are working in the field. The stakeholders we spoke to, many of whom are already employing some of our past graduate students, commented on the contemporary relevance of the programme, the connection of assessments to real situations students will face in their employment contexts, and the opportunities for students to build portfolios and practice in a varied way.
We’re now recruiting students who would like to start this programme in January 2019, you can contact Jane.Wooster@uwe.ac.uk for further information and find out more on the programme here. We are also able to offer discounts to students who have previously studied an online CPD course with us.
Emma Weitkamp & Clare Wilkinson, Co-Directors of the Science Communication Unit
The Science Communication Unit supported three successful bids to the British Council to participate in their Science in Schools initiative. Alongside sending Robotics PhD students and BoxED interns to France to run two weeks of activities, former BoxED interns Jack Bevan and Katherine Bourne were invited to deliver a week’s worth of engineering workshops in Martinique, a French department in the Caribbean.
In January 2018, Jack Bevan and I were invited to deliver a week’s worth of engaging STEM workshops (in English) to primary school children in Martinique as part of the Science in Schools initiative.
Having worked together at the University of the West of England (UWE, Bristol) for the past two years on a similar outreach project, we both accepted instantly and ideas began to form in our minds. First thing’s first: which project to choose?
Globally we are becoming more and more dependent on renewable and sustainable energy. Wind turbines are an icon for clean energy, and also, it turns out, pretty fun to build out of recycled materials.
Our aim was to invite the children to consider the impact that we as humans have on our planet, and also to begin ‘thinking like an engineer’. That is: focus on your objective and try, try, and try again.
Having designed central hubs and provided DC motors to measure any potential voltage generated, it was now up to the children of eight different schools in Martinique to design and produce their very own turbine. The competition began.
A Welcome Surprise
On arrival, we were warmly welcomed by Catherine Ciserane (Academic Delegate for European and International Relations and Cooperation) as well as the exotic sights and sounds of the beautiful Caribbean island of Martinique. Once I had confidently conquered driving on the right (wrong) side of the road, and settled into our hotel, it was time to visit the first of our many schools; Ecole Constant Eudaric.
It has to be said that we were absolutely delighted with the warmth of our welcome from all of the schools that we visited that week. Students were rushing to us immediately with greetings in English, and offers to help carry our heavy equipment. Teaching staff were equally enthusiastic and hospitable, ensuring we had plenty of delicious fruit and sugarcane juice, as well as pastries and chocolates (a staple component of every teacher’s diet).
Once teaching began, we were impressed with the students’ levels of English, and the confidence with which they spoke. Some pupils at Case-Pilôte school had even prepared a welcoming song for us in English, as well as a message of thanks to send us on our way.
Getting Stuck In
At the beginning of each of our workshops, we set the scene for the children. Imagine a world where there was no electricity, and it was your job to make your own energy using only whatever materials you had available to you (in our case: cardboard, egg boxes, and plastic cups).
Once the scene had been set, students rushed to begin building their designs, taking inspiration from other wind turbines around the world. Each and every workshop is different and we are constantly amazed and impressed with the originality of the designs that the children produce.
Using a multi-meter, we are then able to test the amount of electricity (volts) generated by the various turbines. Although some students were disappointed to find their turbine didn’t turn, they had ample opportunity to refine their prototypes and return for another test, often racing to front of the queue!
After some time, our mini engineers were able to generate upwards of 40V electricity. Enough to power an LED light, and even charge a mobile phone (how else could you check your social media during a power cut?).
As well as working with school children, we also had the opportunity to provide a ‘Master Class’ for a collection of professional science communicators and educators across Martinique. We were able to share with them the challenges in STEM that we have faced and the ways in which we can overcome these problems together.
We found that the adults got very into our turbine workshop – it was literally battle of the engineers – but were unsuccessful in beating one child’s high score of 47V!
We received very positive feedback from everyone we encountered, and have faith that our passion and enthusiasm for such a critical and pivotal subject has been instilled into all of the schools we visited.
We are very thankful for this opportunity and would like to encourage any others to embrace the adventure and show their support for the Science in Schools initiative.
Katherine Bourne is a biologist specialising in science communication. She has worked at the University of the West of England for three years, designing and evaluating engaging science workshops for students across the South West of England. She is hoping to complete her secondary school science teacher training in 2019.
Jack Bevan is a mechanical engineer with a passion for widening participation in all STEM subjects. Based at the University of the West of England for two years, he is committed to delivering fun science workshops in both the school and community setting.
Standing behind the counter of Cheltenham Library one Saturday, a colleague beamed at me “Let’s do a Fun Palace”. I had no idea what she was on about. Was she suggesting a new craze I hadn’t heard of? Hmmm, she already works as a Science Communicator so was it something along those lines? My eyes darted around looking for hints – I came clean, I hadn’t the foggiest idea.
Turns out Fun Palaces is an international campaign, bringing science, art, craft and tech together for one weekend a year, free for everyone and run by the community. Libraries are community hubs. In the Gloucestershire service, we offer more than books. A Fun Palace fits in well here.
Once I knew about Fun Palaces, I enthusiastically agreed to help since it tied in to the skills I had been developing on the Science Communication MSc here at UWE. As long as it could wait until after all my assessments were handed in of course. My colleague wrote a proposal, we were given the ‘nod’, and away we went.
So which modules and skills from the MSc were invaluable for the event? I cannot decide. I filled this post with important aspects of the course, then realised no one wanted to read a thesis on this. Basically, I used skills learnt from every module.
The experiences provided by Science in Public Spaces (‘We the Curious’, the Explorer Dome, training by VOX and a self-selected visit to one of the Science Museum ‘Lates’) were extremely useful in highlighting how some ideas work well in some spaces and for some audiences, but not others. It also provided practical skills via the BoxEd project. Writing Science came in handy when it came to publishing promotional tweets, producing marketing materials and writing a last-minute media release. The compulsory modules provided an understanding of audiences, whether people feel able to engage in STEM and how you can get around those who feel they can’t, and the Two Cultures debate.
Every two years, the Association of British Science Writers (ABSW) hosts its one-day Science Journalism Summer School. The 2017 event took place on 5 July at the Wellcome Trust in London, and I went along as a budding freelance science writer to learn a few tricks of the trade.
I was joined by 135 other delegates on the airy and light sixth floor of the Trust’s superb glass-fronted Euston Road building on one of the hottest days of the year. With me were undergraduates, PhD students, freelancers of many kinds, and established science journalists working for a range of organisations. Oh – and a colleague (Clare Gee) from my Masters course in Science Communication here at UWE! Billed as a 12-hour working day, I indeed arrived for coffee at 9am, and did not depart until 8.30pm after the superb networking session with commissioning editors from a number of science publications, such as New Scientist.
BBC Science Correspondent Pallab Ghosh opened the proceedings, and the format for the rest of the day followed short talks with panel discussion and audience Q&A. We learned about new media trends, particularly around digital news consumption, in the context of the question ‘Where have all the science correspondents/journalists gone?’. ITV’s Science Correspondent Alok Jha extolled the virtues of critical science journalism in the fake news world, asserting the need to communicate conflicts between scientific researchers and cast more light on the imperfections and uncertainties of the scientific endeavour. That doesn’t sit so easily with being a proponent of science, which most of us are.
A session on pitching skills was most revealing, with commissioning editors suggesting that they aren’t receiving enough news pitches (short 250-word pieces) alongside the veritable flood of feature pitches. They were keen to point out that background was largely irrelevant; if the story was good and the source reliable, they’ll take it. And one particularly good tip to remember is that editors often prefer to receive a ‘phonecall, with e-mail used as the follow-up.
The session on investigative reporting left a sense of how good for society the best journalism can be, despite the challenges around funding this type of work in today’s climate. Given the potential risks, freelancers were generally advised to steer clear of investigative reporting!
Perhaps the highlight for me was the final session on “successful freelancing”. There were personal testimonies of the struggle to get going, to find sources of work, to carve out a niche area of specialisation. Max Glaskin, the successful, award-winning author of the magazine Cycling Science, offered a tremendous insight laced with some dark humour along the way. His successful writing career has allowed him to diversify his sources of income through giving talks, chairing panel discussions and undertaking specialist scientific consultancy.
All-in-all, a long but rewarding day, worth every penny. If you want to meet several commissioning editors in one place at one time and establish relationships, then this biennial Summer School is a good investment of your time and money.
After my PhD viva in 2004, I promised myself I’d never again study for a qualification. Having gone straight from A-levels through a degree to a doctorate, I felt as if I just couldn’t learn anything more. But a decade later, I found myself at a career crossroads trying to figure out what to do at the end of my maternity leave.
Inspired by my elder daughter’s curiosity, I set up a blog, Simple Scimum, to answer questions about science and nature. Slowly, as the blog gathered followers, my confidence grew; and when one of my daughter’s friends asked if I would answer her science questions too, I knew I had to turn science writing into something more than a hobby.
I began searching for jobs that involved writing about science and quickly realised that a qualification in science communication would be an advantage. So, I googled ‘sci comm Bristol’ and found UWE’s MSc in Science Communication, which sounded brilliant but was more than I could manage whilst working part-time and looking after two young children. However, the Postgraduate Certificate in Practical Science Communication was exactly what I was looking for: a one-year, part-time course with intensive teaching blocks, offering hands-on experience and links to industry. I applied for the September 2016 intake and won a bursary towards my tuition fees: I was going back to university!
I felt nervous about returning to study after such a long break but I knew that this was just the first step along a new career path.
The ‘Writing Science’ module was an obvious choice, with the opportunity to create a magazine and develop a portfolio just too good to miss. I learned the essential elements of journalistic practice and wrote a bylined article for UWE’s Science Matters magazine. But the real highlight was a three-hour workshop on ‘how to write a book’ – I’d love to write science storybooks for children, and came away bursting with ideas, enthusiasm and an action-plan to turn my dream into reality. (Roll on NaNoWriMo…!)
But it was through the ‘Science in Public Spaces’ module that I discovered just how strongly I want to inspire young children and engage them with research. I designed ‘Simon’s Box’ to talk about genetic disease and genome editing with GCSE pupils in local schools. And I had the best time in the Explorer Dome learning about science shows for young audiences. Seeing how to encourage children to learn through stories and play was a fantastic experience and a seminal moment in my desire to become a science communicator.
At times I found it hard to juggle study, work and childcare but the intensive teaching blocks made it easier for me to attend lectures and workshops. I paid for my younger daughter to go to nursery for an extra morning each week and used that time for reading and research. Still, I often found myself studying between 8pm and 10pm, when the kids were tucked up in bed, and I was grateful for 24-hour online access to UWE’s library facilities. But now the hard work is over and I’m just waiting for my final results.
Over the past year, I’ve been part of a supportive cohort of students who are committed to science communication. I’ve developed the confidence to pursue a new career path and given up my old job to become a Research Fellow in UWE’s Science Communication Unit. Before the PGCert, I dreamed of working in science communication but now I’m actually doing it.
September saw the lecturing staff at the Science Communication Unit welcoming our new MSc Science Communication and PgCert Practical Science Communication students to UWE and Bristol. It also sees the start of our refreshed programme offering, which includes significant changes and updates to two of our optional modules: Science in Public Spaces and Science on Air and On Screen.
The first three-day block of Science in Public Spaces (SiPS) marks the start of a diverse syllabus that seeks to draw together themes around face-to-face communication, whether that takes place in a what we might think of as traditional science communication spaces: museums, science centres and festivals or less conventional spaces, such as science comedy, theatre or guided trails. Teaching is pretty intense, so from Thursday, 29th September to Saturday, 1st October, students got stuck into topics ranging from the role of experiments and gadgets to inclusion and diversity.
Practical science fair
Thursday, 29th September saw the 13 SiPS students matched with researchers from the Faculty of Health and Applied Sciences. Students were introduced to cutting edge research and have been challenged to think about how this could be communicated to the public in a science fair setting. Each student will work with their researcher to create a hands-on activity which they will have the opportunity to deliver to the public at a science fair to be held during a University Open Day in the spring.
Towards the end of the three days a session on creativity generated intense discussion about how we might judge what creativity is through to practical techniques and tips we might use to stimulate creative thinking. The session included a word diamond (McFadzean, 2000), where groups considered how you might foster engagement and enjoyment amongst blind visitors to the Grand Canyon, how blind visitors could be involved in creating a sensory trail (for sighted people) at an arboretum or how to enable a local community to be involved in decision making around land use that involved ecosystem services trade-offs. Challenging topics that draw on learning from earlier in the week.
After a final session on connecting with audiences, students (and staff) were looking a little tired; three days of lectures, seminars and workshops is exhausting. We hope students left feeling challenged, excited and ready to start exploring this new world of science communication and public engagement and that they find ways to connect their studies with events and activities they enjoy in their leisure time – though that might not apply to the seminar reading!
Science in Public Spaces got off to an excellent start, thanks to the students for their engaged and thoughtful contributions in class. Up next is the Writing Science module, where Andy Ridgway, Emma Weitkamp and a host of visiting specialists will be introducing students to a wide range of journalistic techniques and theories. Then it will be the turn of the new Science on Air and on Screen where Malcolm Love will introduce students to techniques for broadcasting science whether on radio, TV or through the range of digital platforms now open to science communicators. Looks to be an exciting year!
McFadzean, E. (2000) Techniques to enhance creativity. Team Performance Management: An International Journal, 6 (3/4) pp. 62 – 72
What IS storytelling? What IS NOT storytelling? These two questions opened the 9th conference on “Storytelling: Global Reflections on Narrative” I attended from the 10th to the 12th of July in Oxford (UK). As participants, we were asked to reply, and we gave completely different answers, depending on our academic field and personal experience.
We defined storytelling as an engaging and dynamic form of communication, which must not be boring at all. Moreover, we emphasised the fact that storytelling does not include only what is told, but also what is kept silent, what is not remembered, and what is changed, and that it encompasses many points of view, many different stories, and many different ways of telling the same story.
During the conference, each speaker contextualised storytelling in a different field: literature, history, sociology, communication, education, sciences, and even medicine; and we discussed the topic taking into account professional and personal experiences as well, thus getting a broad and inclusive overview of storytelling.
Storytelling is not only influenced by the discipline in which it’s studied or applied, but also by many other factors, such as background, culture, education, ethnicity, nationality, social class, gender, and age of storytellers and of the audiences.
Novels, advertisements, TV shows, etc. communicate a story using language, semiotic signs, stereotypes, metaphors, and rhetoric figures that are tailored for specific target publics. Moreover, stories usually reflect the social values and characteristics of the audiences. For example, in Japanese anime the homogeneity of the Japanese society is represented by the possibility each character has to become the protagonist of the story, whereas individualistic feature of the Western societies is depicted by the presence of only one main character in Western comics.
Medium may change the way we tell or listen to a story. We read novels in a sequential way, page after page from the beginning to the end, whereas we can read a story on social media in a relational way (as in mind mapping), jumping from one point to any other as we please. Moreover, in digital interactive documentaries and videogames, we (as audience) can even change the story.
Storytelling also differs in its applications: we can use it for conveying information or entertaining, but we can also use it for advocacy campaigns, education, and research. Indeed, storytelling can be a suitable technique for advocacy, due to its capability of engaging audiences emotionally and personally, and it is effective in involving students in school lessons as well, and in stimulating their critical thinking, communication and writing skills, creativity etc.
The use of storytelling in the research field is particularly interesting. By analysing either ancient books or new TV fictions, we can investigate the individual characteristics of authors as well as well the social beliefs, values, and imaginary of a specific historical period, and we can study how they changed over time. We can acquire similar data by collecting witnesses’ stories of a specific event, as well as asking the research subjects to write a narrative on a specific issue. For example, patients’ stories on how they perceive their disease and how it is affecting their quality of life can provide further information to improve our comprehension of the disease from a clinical point of view, understand patient-physician communication, or improve the health care system. Even collecting stories on digital media and videogames we can yield insights on individuals and social groups’ characteristics.
What is storytelling? What is not storytelling? Though it may be very difficult to give a concise and inclusive answer to these questions, we can say that storytelling provides many different opportunities and challenges in science and health communication as well as in research.