The Art of Healing: arts-led research to support child wellbeing in Kashmir.

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by Michael Buser…..

Kashmir – set in northern region of the Indian subcontinent – encompasses territories administered by India, Pakistan and China.  The region has long been contested and fought over (India and Pakistan have fought three wars over the territory) and is considered to be one of the most militarised areas in the world.  In the Kashmir Valley, in places like Srinagar and Pulwama, where our research team is working, everyday life is marked by the presence of military, curfews, stone-pelting, demonstrations and violence. Like most of the world, Kashmir has been under various forms of restrictions (e.g., school closures) due to Covid-19. Yet, the lockdown in Kashmir started in August 2019 when the Indian government amended the constitutional provisions and special status which allowed a level of autonomy for this Muslim majority state. Children have been particularly impacted by these events – many young people will have experienced trauma and live in a state of uncertainty and fear.

I have been involved in organising a diverse group to provide support to young people who live in Pulwama – an area that has been the centre of clashes between the army and militants (including a 2019 attack on a military convoy that resulted in 21 deaths).  Our team is funded through the Arts and Humanities Research Council’s ‘Urgency’ programme and ‘Global Challenges Research Fund’ and includes an amazing collection of dedicated people – including UK and Indian-based artists and film-makers as well as experts in public and child health, psychology and arts-based therapy, and international politics.  We are collaborating with a local school whose enthusiastic and caring teachers and administrators have integrated arts activities into the school’s curriculum. 

Children have been working through the ‘land of colours’ as a way of exploring a number of themes including happiness, suffering, heroism, and compassion

Over the past several months, we have been working with about 30 children ages 11 to 15 to support their wellbeing through a range of art-based therapy and arts activities.  These have been delivered online and face-to-face (the school is mostly closed, yet some activities are taking place on campus).  My colleague Anurupa Roy has been leading on the online activities with the children which has led to an amazing outpouring of creative work. This has all been accomplished through lockdowns, internet cut-offs, bandwidth restrictions, and all kinds of technological and political challenges.

Delivery of the in-person activities has also been extremely challenging. I thought this could be best expressed by quoting some words from Vikramjeet Sinha, an arts-based therapist working with the children.  

The breath-taking natural, brutal beauty of Kashmir, the lovely eyes of the children when they speak … keeps me at it and whatever the challenges I face, the children are worth it for they are so sweet. The first week there was a grenade blast on our way back in the evening, and even though it was not a close shave, I could not let the peaceful natural beauty delude me that things are peaceful. Civilians were killed in the blast and during these times the internet often gets cut off and any other zoom call with the world becomes an impossibility. Municipal elections at Pulwama kept the internet off for two days, such unprecedented things often happen out here.

Vikram’s reflections draw attention to some of the difficulties of working on the project – but also, how it is so fulfilling.  For my part, I am honoured to be part of this work and extremely grateful to be an academic who can direct energy and support to the wellbeing of people living in such difficult circumstances.  From this perspective, I have been disappointed to see news about the UK government’s decision to reduce the overseas aid budget from 0.7 to 0.5 per cent of gross national income.  Not only are programmes like the GCRF funded through development assistance, but as many others have said, these cuts will have real impacts on the lives of people at risk in areas of the world where support is needed.

At the end of the first round of work, the children gave a shadow puppet performance.  This image shows one of the sets constructed for the show.
 

Going forward we are continuing with online activities with the expectation of some face-to-face (Covid safe!) work in Pulwama in March.  At this stage, we are enjoying watching the artwork emerge – they have produced some spectacular pieces (a few of which I’ve included here).  We are also noting how the children are expressing themselves and allowing their inner worlds to become unlocked through the therapeutic experience of the arts.   

If anyone has any comments or questions, please get in touch: Michael.Buser@uwe.ac.uk

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