Written by Harris Montgomery
Acclaimed novelist and cultural critic Lynne Tillman and feminist director Sheila McLaughlin combined creative forces to direct this stylised biographical piece that depicts the involuntary commitment of famed actress Frances Farmer. Noted for her work across numerous films and theatre productions, Farmer also gained notoriety for her public image, which was centred around her leftist political views. McLaughlin and Tillman’s expert directing shines new light on the tale, providing particular contexts that help to portray Farmer’s thinking and powerful persona.
The film presents a strong protagonist/antagonist dynamic. Frances, portrayed excellently by McLaughlin, is painted as a beacon of charisma throughout the narrative struggles. The ‘men in suits’ approach to the dominant male ideology, highlights those in power as oppressive clones who constantly try to gaslight Farmer; and other women like her, into believing a diagnosis of mental illness purely for questioning the social norms. Their constant discussions of ‘freedom’ amidst their role as gatekeepers adds an undeniably humorous hint of irony, and the manner in which the narrative recounts Farmer’s life hammers home her position as a victim of society.
The film’s stylistic choices capture the bleak nature of its events. The lack of score forces its audience to listen to the discussions it portrays, highlighting the importance of the injustice that unravels on screen. The monochrome cinematography enforces the contrasts between light and darkness, emphasising the social conflict that acts as a backdrop to the unjust events inflicted upon Farmer. The runtime of 75 minutes makes McLaughlin and Tillman’s writing efforts all the more impressive, pulling no punches and portraying its message with intense efficiency.
You can watch Committed on Kanopy.
Further Viewing:
She Must Be Seeing Things (1987) – directed by Sheila McLaughlin
An Angel at My Table (1990) – directed by Jane Campion