The south Asian Dementia Pathway (ADAPT) study

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Dissemination event held online on Thursday 13th October 2022

Written by Dr Emily Dodd, Senior Research Fellow and project manager for the ADAPT study.

“An amazing and informative session[1]

Almost 100 people across the UK joined an online dissemination event on Thursday 13th October 2022 to hear about and see in action the new online toolkit that has been recently developed through the research carried out as part of the ADAPT study.  Funded by the National Institute for Health and Care Research (NIHR), the purpose of this study was to create an online toolkit of culturally appropriate assessments and interventions that support people from South Asian communities across the dementia care pathway.

“The lived experiences from the Carers were particularly impactful”

The study was co-led by Rik Cheston, Professor of Dementia Research at the University of the West of England and Dr Sahdia Parveen, Senior Research Fellow at the University of Bradford. This was a truly collaborative project including the Universities of Wolverhampton and Bath and charity partners the Race Equality Foundation and Dementia Alliance for Culture and Ethnicity. Importantly, the study has been fortunate to have a strong and engaged public contributor team who have “kept it real” and ensured the voice of those affected by dementia from south Asian communities ran throughout the planning and execution of the study.

“…this fantastic study and resource”

Previous research has shown that roughly 25,000 people from ethnic minority communities live with dementia in the UK and the largest single grouping are people whose origins are from South Asian countries. We also know that while people from South Asian communities are at greater risk of developing dementia they are less likely to access all points of the dementia care pathway. The study team therefore wanted to bring together in one place evidenced-based resources to support people from South Asian communities affected by dementia along with recommendations to healthcare staff providing relevant services.

“Hugely insightful and the toolkit will be a massive resource for us”

The online event was an opportunity for the study team to share the online toolkit itself alongside the findings of the study and the films developed as part of the study. People who attended the event included those who took part in the study and wider stakeholders including health and social care professionals and voluntary and community sector organisations supporting and caring for people affected by dementia. The hard-hitting and powerful film ‘Kiran’ (an eight-minute true-to-life dramatization of the struggles and difficulties families face when caring for a loved one living with dementia) that was produced as part of the study was also shown in full at the event.   

“Its a game changer for me”

The ADAPT study website and toolkit are hosted by the Race Equality Foundation and can be accessed by visiting the website: https://raceequalityfoundation.org.uk/adapt/.

Please contact the team directly with any questions or feedback you have about the toolkit on adapt@uwe.ac.uk.  


[1] Quotes come from the Zoom chat box during the event

Youth, Transition and Social Justice: (re)searching spaces of social action- Call for Chapters

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  • Editors:  Michael Whelan and Brian McShane
  • Deadline for submissions: 11.55pm on Friday 25th November, 2022

Michael Whelan and Brian McShane are very glad to be able to share the below call for chapters for inclusion in an edited book titled: ‘Youth, Transition and Social Justice: (re)searching spaces of social action’. They have an expression of interest for this book from Bristol University Press, as part of a wider series being led by Agatha Herman .  Please see the below call for further details and feel free to get in touch with any questions. They would also welcome any further distribution of this call through relevant networks:

Context 

This edited collection seeks to bring together emergent research insights, analysis and practice considerations in relation to the spatiality of young people’s experiences of injustice and the realisation of social justice. In the context of a shifting landscape of youth transitions, we consider the ways that a concept of social justice offers a point of leverage around which young people (or those who would seek to advocate with and for them) can pursue a ‘better’ society. In a period in history where ‘post-truth’ agendas continue to blur the lines between facts and ‘alternative facts’, real world and virtual collective social spaces have become fragmented – often oriented around more insular specific interest driven agendas.

We critically explore the capacity of the concept of social justice to (re)mobilise social action amongst young people and youth practitioners around commonly agreed and shared collective agendas for social action – at local, national and international levels. Central to this exploration is a need to better understand the nature of the spaces occupied by young people and how power relations within these spaces shape and constrain the capacity for social action. As such, the research insights presented by contributors will place an emphasis on dialoguing research with practice.

We invite chapter proposals that explore areas including (but not limited to): 

  • emergent research insights, analysis and practice considerations in relation to young people’s experiences of social justice
  • consideration of the ways that young people create, inhabit and are excluded from particular spaces.
  • the tools of analysis and practice approaches researchers, youth practitioners and young people themselves are finding to expose and tackle the injustices young people face
  • new and emerging ways of working with young people that both challenge the injustices experienced directly by young people, in addition to enabling young people to be a more positive force for change in promoting social justice.

We aim to include 10-15 chapters at approximately 6,000 words per chapter.

Audience 

The book’s primary audience will be undergraduate and postgraduate students on programmes of study including: Sociology, Childhood and Youth Studies, Education, Social Work, Youth Work, Human Geography, Social Science and Criminology. The book will be of particular interest to practitioners or researchers with a primary focus on youth studies, or research or practice interventions with young people, particularly around issues of injustice.

Abstract 

Please submit an initial chapter proposal of up to 500 words that identifies your topic, tentative chapter title, and an introduction to your proposed contribution. Your proposal should include your 200-word bio note with your affiliation. Contributions should be original and should not be under consideration for any other publication. 

Please forward your proposal as a Word attachment to: michael.whelan@uwe.ac.uk

Creative Industries spotlight: Gary Topp, Executive Director, Arnolfini

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Photo by Lawrence Bury, 2020.

Gary Topp joined Arnolfini in 2019 as Executive Director. He has led the team at Arnolfini through the COVID-19 pandemic and subsequent lockdowns and the many challenges and opportunities this created for Arnolfini and the wider sector. In the blog below he talks about his career, the importance of creative spaces and his future plans for Arnolfini.  

Gary has a broad and successful career in the creative industries. He started his career as a visual arts curator in museums, which quickly developed into the management and leadership space from his late twenties. His work with organisations that blend large scale project management with high level policy gave him a unique insight into the way that the public, private and third sectors interweave and the need to understand this cultural work within a broader social and economic framework.

Gary has been Director or Chief Executive of a range of cultural organisations over the past 20 years in both the UK and Australia and has worked with governments leading cultural strategies at both regional and city level.

“Throughout all of these roles I have remained passionately committed to the visual arts and to the vital role that cultural institutions like Arnolfini play in the life of cities. And I always admired Arnolfini’s long and influential track record. I still come to work each day as a fan and advocate for the part we play in the city, region and wider cultural sector and feel very lucky that my combined skillset was the right one for Arnolfini when I joined in 2019.”

With Gary’s exciting career, it’s unsurprising he has many highlights including delivering large scale events such as the Indian international Film awards in 2007 or Birmingham Commonwealth Games handover ceremony in 2018. He’s also secured and delivered millions of pounds worth of projects and investments with many wonderful partners in a range of cities and places. However, the chance to lead and implement change at Arnolfini is a real highlight.

“I am hugely proud to have been allowed the chance to lead Arnolfini and re-establish it at the forefront of cultural venues in the UK. Since joining in early 2019 I have had many moments launching exhibitions, hosting talks and events, establishing our UWE Bristol relationship, surviving COVID lockdowns, building community partnerships and working every week with a talented and committed group of colleagues and this all feels like a career highlight.”

Gary is a huge believer in spaces like Arnolfini and believes that creative spaces make a hugely important contribution to where we live in many practical, social and emotional ways.

“We can talk about our role in the visitor economy, or in the many ways that creativity is vital for entrepreneurism across many industry sectors; or we can reflect on our role as a community space for learning or welcoming new refugees to the city; or for the way that we animate and support city centres and nightlife.

Our audiences and communities often tell us how we act as a place of joy and inspiration with the ability to use the powerful impact of art and culture to promote new ways of experiencing the world. All great towns and cities have strong cultural centres at their heart and those that don’t generally wish that they did!”

“The creative industries have proved enormously resilient in the face of many challenges over the last 25 years (since the term first came into general usage) and this is a testament to the talent and determination that characterises the hundreds of thousands of people that work in them. But if we also understand that this talent can achieve more- socially as well as economically- we need to keep creating the environment and support systems to release even more talent.

To do this we need to unlock talent wherever it is in our communities and develop pathways of education, skills development, business change and massive amounts of cultural curiosity and creative capability everywhere. Universities like UWE Bristol, and cultural venues like Arnolfini, can create amazing alliances to unleash all of this latent capability!”

UWE Bristol have a strong partnership with Arnolfini, working together under the branding of ARNOLFINI x UWE. The purpose of the “x” signifies that Arnolfini’s work is amplified by partnering with UWE Bristol, who share similar cultural, education and research agendas.

“Developing and delivering this partnership has been a key driver of my leadership at Arnolfini and it manifests itself in lots of different ways through a rolling set of projects. Each year we host the degree shows in our galleries, stage dozens of joint events and activities for public and students alike and we continue to develop research partnerships and student placements. This means that whilst Arnolfini remains an independent charity we have a strong and important relationship with UWE Bristol that brings lots of mutual benefits.”

This is a very exiting time for Arnolfini. Under Gary’s guidance, they have successful got through the pandemic and are now anticipating over 700,000 visitors this year.

 “Like every organisation we try to improve each week and we will continue to focus on broadening our community impact whilst also developing our work internationally.  

Our daily work with our communities matched to the international reach of our exhibitions and cultural programme is a huge amount of work for a very dedicated small team.

Arnolfini is a strong cultural brand as well as a big building in Bristol and we look forward to working with our partners to develop and extend our project portfolio in many new and interesting ways. Our relationship with UWE Bristol will, of course, be front and centre in those plans.”

Thank you to Gary for this interview. Find out what is happening at the Arnolfini.

Centre for Print Research IMPACT 12 multidisciplinary printmaking conference

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In September 2022, the Centre for Print Research (CFPR) hosted IMPACT 12 multidisciplinary printmaking conference, The Printmakers’ Voice.

IMPACT stands for ‘International Multi-disciplinary Printmaking, Artists, Concepts and Techniques’. Over the past two decades IMPACT has evolved as Europe’s leading academic discourse on printmaking. Printmaking is now integral to the wider academic debate, through practice, theory, visual culture, and is studied across a range of programmes, from undergraduate to PhD around the world.

The hybrid event hosted online and in Bristol city centre aimed to have a therapeutic function, enabling attendees to listen to voices of other artists as well as sharing their own experiences.

The conference focused on six key themes:

  • Post-pandemic Voice
  • Touching and Touched
  • Printability and transmutability
  • The Printmakers’ Garden
  • Breaking Boundaries
  • Merging and Metamorphosis

The conference was attended by over 290 in-person delegates and over 100 online delegates. 41 Countries were represented by delegates at the event including participants from Brazil, Chile, Hong Kong and Australia.

Across our campuses and Bristol City Centre locations there were 120 solo and group exhibitions, private view events across the 3 days, and 17 virtual exhibitions. There were 3 key notes as well as 30 panels sessions across the event.

Experience the conference for yourself with the following videos:

Carinna Parraman, chair of Impact and director of the CFPR said, “The conference was an extraordinary coming together of printmakers across the globe – both in person and online. It was a great opportunity to listen to each other’s voices again by sharing and discussing ideas, seeing new works of art and curated exhibitions, and experiencing the richness and diversity of printmaking. It could not have happened without the effort and imagination of the CFPR team and the contribution made by the artists and delegates. Congratulations to all involved in this wonderful event.”

View all the recordings from the event.

For those of you who enjoy the detailed data here are the numbers:

At IMPACT there were 293 in-person registrations, 111 online registrations, of which 41 Countries were represented: Argentina, Australia, Belgium, Bosnia and Herzegovina,  Brazil, Bulgaria, Chile, China, Canada, Denmark, England, Finland, France, Germany, Guam, Hong Kong, Iceland, India,  Italy, Ireland, Japan, Macau, Mexico, New Zealand, Northern Ireland, Namibia, Norway, Peru, Poland, Portugal, Romania, Scotland, Serbia, South Africa, Spain, Sweden, Taiwan, The Netherlands and Wales. 

  • 120 solo and group exhibitions, 
  • 5 curated exhibitions, 
  • 3 keynote exhibitions, 
  • 17 virtual exhibitions, 
  • 3 keynote presentations, 
  • 30 panel sessions, 
  • 1 kick-off procession

The on-line REMO platform

  • Lecture Theatre 1 was live for the full duration of the event (4 days). On average users spent around 441 minutes/7.3 hours on the platform. 1340 minutes/22.3 hours of broadcasting. 217 chat messages were sent. 90 clap Remojis were used.
  • Lecture Theatre 2 was live for the full duration of the event (4 days) through 3 links, Friday, Saturday Morning and Saturday Afternoon. On average users spent around 356 minutes/6 hours on the platform. 505 minutes/8.4 hours of broadcasting. 124 chat messages were sent. 43 clap Remojis were used.
  • The Garden was live for socialising for the full duration of the event (4 days). On average users spent around 54 minutes on the platform. 27 minutes of broadcasting (Picnic Talks). 19 users (15) viewed Yoga.
  • The Gallery was live for the full duration of the event (4 days) and consisted of 3 rooms of 23 virtual exhibitions and links to the Summer of Print and Books digital content. On average users spent around 82 minutes on the platforms. 32 minutes of broadcasting (Exhibition Walks). 

Black History Month 2022: Business Focus

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Getting the show on the road

Image: Julian Mensah founder of Voltric. Photo credit BSWN 2022

As part of Black History Month 2022, we are spotlighting individuals working around the following themes:

  • Skills
  • Innovation
  • Research
  • Business

This week we are focusing on Business:

UWE Alumni and Green Skills speaker Julian Mensah is Founder of Electric vehicle (EV) subscription service Voltric, whose aim is to remove barriers to reducing car emissions, making it more practical, cost effective and efficient to access green sustainable transport.

Along with Co-founder Brent Oldfield, another UWE Alumni, Voltric has gone from a concept and two Renault vehicle three years ago to expecting a total fleet of over 200 by the end of December, with plans to expand this to 1000 cars on the road next year, including models from Tesla, Mercedes, Renault and MG.

The idea for Voltric came from the creation of a business plan for Julian’s MA in Marketing at UWE in 2018, he wrote about electric cars and the business around supporting the transition from internal combustion engines to electric vehicles. Redundancy from a Product Management position encouraged him to revisit the business plan, which had never been far from his mind. Following a meeting with his Marketing Lecturer and an introduction to UWE’s Team Entrepreneurship he met business partner Brent, a student on the course.

He has been involved as an inspirational speaker from the outset on Green Skills for Jobs and Entrepreneurship, a transformational programme delivered by UWE in partnership with Black South West Network and NatWest. Aimed at increasing accessibility, knowledge and awareness of opportunities in the Green Sector. The sessions have been such a success that Voltric will be welcoming three fully paid Interns into their business under the Green Skills programme this year, giving them valuable experience in green technology. 

“If I can inspire and encourage Black and minoritised young people to think about the opportunities around tech and where that can take them, that’s not only something that benefits them individually, it ultimately benefits the whole community.”

“And I love that on Green Skills we’re talking not only about business, but about sustainability as a whole, how we can live in a sustainable manner.”

“If I was going to give any advice to myself before starting on my business journey, it would be to celebrate the small wins along the way. My life is so busy, being involved with Green Skills and connecting with the young Learners has been so enjoyable. It’s different from my every day and has helped me to reflect on all the successes we’ve had so far at Voltric and those to come in the future.”

voltric.co.uk

Black History Month 2022: Research Focus

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As part of Black History Month 2022, we are spotlighting individuals working around the following themes:

  • Skills
  • Innovation
  • Research
  • Business

In this spotlight, we focus on Dr Faatihah Niyi-Odumosu and her innovative research around physical activity and health promotion in chronic kidney disease. Faatihah’s past work looked at investigating the impact of physical activity and exercise trials on kidney function, markers of chronic inflammation, physical function, and health-related quality of life of adults with non-dialysis chronic kidney disease.

She is currently a Senior Lecturer in Applied Human Physiology at UWE Bristol but has previously worked across the UK and internationally in various roles and has over 10 years of teaching experience. She was a physician and a lecturer in Physiology at the University of Ilorin, Nigeria where she co-founded the Exercise and Sports Science Research Group, a University Teacher at Loughborough University, and a lecturer in Biomedical science at De Montfort University, UK.

She gained her PhD in Clinical Exercise Physiology from Loughborough University. Faatihah is a fellow of the higher education academy (FHEA) with a postgraduate certificate of teaching in higher education (PGCTHE).

Recently Faatihah has been involved in cross-disciplinary research on lifestyle medicine: physical activity and health promotion in varied lifestyle diseases and interdisciplinary approaches to developing effective and sustainable physical activity across under-represented groups (Elderly (Healthy ageing), Black, Asian, and other ethnic minorities; and Women) addressing barriers and limitations to regular physical activity.

In addition to this, Faatihah is involved in ongoing collaborative health-related projects across social and rehabilitation robotics including digital health interventions and an AI (and mixed reality) feasibility study for pre-op planning and simulation of minimally invasive (keyhole) cardiac valve surgeries.

Faatihah was recently awarded funding as part of the UWE Bristol Vice-Chancellor Challenge Fund for a project to look at the use of AI to interpret video recordings of keyhole cardiac surgeries to appraise surgeons’ performance, optimise surgical tasks, and identify training needs (IVA HEART).

She also won a cross-faculty grant for integrating AI and AR in the pre-operative planning of keyhole cardiac surgery (AI/ARMICVS).

Faatihah is a Co-I on a £1.8M UKRI-funded project (Fitbees) to encourage sustainable physical activity in under-represented groups currently not engaging with the digital fitness market

Faatihah is secretary of the LMIC International Society for Physical Activity and Health (ISPAH) research council and a Commonwealth scholar.

Going forward Faatihah wants to solve health challenges through innovative research and establish a research theme on “Healthy ageing and lifestyle medicine” including more collaborative projects and successful bids.

“My ultimate research goal is to develop innovative strategies to improve (and sustain) quality of life and healthy ageing with no limit to age, ethnicity, sex, or clinical condition.”

UWE Bristol win at the Collaborative Awards for Teaching Excellence

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Image from L to R: Dawn Oddie, Jillian Wood, Debbie Moreno-Chamorro, Ilhem Berrou, Abdullahi Arabo, Claire Fullbrook-Scanlon, Gavin Wollacott, Alex Bowles, Sarah Gane, Emily Haycock, Valentino Oriolo.

Huge congratulations to the Independent (Non-Medical) Prescribing team on their success at the 2022 Collaborative Awards for Teaching Excellence (CATE) Award celebration event at the Liverpool Football Stadium on 29 September 2022. UWE Bristol is the largest provider of prescribing education in the UK, training more than 500 clinicians every year who provide patient care across the South West of England and beyond. The team designs and delivers exceptional prescribing training to nurses, pharmacists, midwives, paramedics, dietitians, physiotherapists, podiatrists and radiographers.

The CATE Awards, organised and run by Advance HE, recognise and celebrate collaborative work that has had a demonstrable impact on teaching and learning. Introduced in 2016, the scheme highlights the key role that teamwork plays in higher education. There were 16 winning CATE teams, which were all recognised as having enabled a change in practice for colleagues and/or students at an institutional, or discipline level.

The UWE Bristol Prescribing team, led by Debbie Moreno-Chamorro, comprises 15 academics, practice clinicians and NHS managers. This is a highly regulated programme and the team are very well supported by dedicated professional services staff.

Congratulations as well to our colleague, Dr Abdullahi Arabo, Senior Lecturer in Computer Networks and Mobile Technology, who won the 2022 National Teaching Fellowship Award.

Read the UWE Bristol news release – 4 August 2022

Black History Month 2022: Innovation focus

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As part of Black History Month 2022, we are spotlighting individuals working around the following themes:

  • Skills
  • Innovation
  • Research
  • Business

This week we are focusing on Innovation.

Mayowa Olanrewaju is a Knowledge Transfer Partnership (KTP) Associate for Harris Evolution Ltd. A KTP scheme is a UK-wide programme helping businesses to improve competitiveness and productivity. Businesses are provided with applied knowledge and technical expertise to help transform the business.

Based in Bristol, Harris Evolution is a commercial refurbishment company, specialising in quick turnaround projects carried out whilst the buildings are still in occupation. Harris’ work is targeted within three main sectors; Education, Healthcare and Hotel/Leisure.

The 24-month KTP project aims to implement transformational innovation through an Advanced Services approach to contract design and development of leadership capacity, which is led by Dr Kyle Alves , Dr Mel Smith and Professor Gareth Edwards. Through the collaboration with UWE Bristol, Harris will move from a standardised service offer to implementing outcome-based service contracts, tailored around individual customer value.

The aim of the project is to transform Harris Evolution LTD into adopting advanced services to the way contract is been set up. This entails getting to know what the customers exactly need and tailoring a service that best suits their needs.

Mayowa commented on the importance of innovation within the project:

“Innovation is so important because companies of the future will be defined by how quickly they can transform and digitalise their processes and respond to their customers’ demands. In a fast-paced supply chain where customers’ needs are constantly changing, organisations need to be ready to satisfy their customers fast. In our own case, I am looking at how we can leverage on Internet of Things(IoT) to understand the customer asset usage and how we can develop a value proposition

We have all seen the benefits of UBER, AIR BnB, 4G, 5G and so on using innovation to succed. Businesses need to be aware of emerging technology if they want to remain competitive. The organisations of the future will be fully digital and we all have to prepare for it. However, the government need to do more to help SMEs in their transformation journey so they can remain competitive”

Mayowa also talked about the benefits of a KTP:

“There has always been this disparity between academics and the business world as they both have unique ways of doing things so having the opportunity to bridge that gap in a partnership is a wonderful opportunity only KTP can give. The business world is now coming to terms with growth and development academics offer and if properly harnessed, businesses can see the benefits in their annual turnovers.”


Knowledge Transfer Partnerships (KTPs) are funded by UKRI through Innovate UK with the support of co-funders, including the Scottish Funding Council, Welsh Government, Invest Northern Ireland, Defra and BEIS. Innovate UK manages the KTP programme and facilitates its delivery through a range of partners including the Knowledge Transfer Network (KTN), Knowledge Bases and Businesses. Each partner plays a specific role in the support and delivery of the programme. 

Centre for Print Research Artist Residencies

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Image: IMPACT12 opening procession from City Hall Bristol, led by resident artists the State of Print with the Sambistas band.  

UWE Bristol’s Centre for Print Research (CFPR) presents a truly exciting opportunity for collaboration and the enrichment of the CFPR’s research activities.

Artists and designers will make a body of work that contributes to the CFPR archive and the editions portfolio. They will bring a curiosity and range of interests in areas such as fine art, print, product design, robotics, electronics, software, manufacturing, and materials science, encouraging new and productive research partnerships. As well as producing a body of work, resident artists will deliver a range of inspiring talks and participative sessions to our researchers and student community. 

Carinna Parraman, Director of CFPR commented:

“We had an amazing summer of residencies coinciding with the IMPACT 12 multidisciplinary printmaking conference. Resident artists the State of Print, Rodrigo Arteaga and Tracy Hill delivered fantastic keynote presentations, and we were able to employ interns from UWE’s Fine Art and Illustration undergraduate courses to support the artists.

We were very excited to collaborate on resident artist exhibitions with our city partners: the School of Art and Design, Arnolfini and Spike Print Studio, and look forward to working together more as the programme progresses.”

The current artists in residencies include:

Rodrigo Arteaga

Rodrigo is a Chilean artist who completed a MFA in Sculpture at the Slade School of Fine Art in 2018.  His practice is concerned with the complex relationship between nature, culture and representation. His interest in working across different areas of thought has led him to collaborate with specialists in fields such as Microbiology, Bio-Fabrication, Mycology, Natural History, Botany, and Architecture.

Rodrigo’s work at the exhibition Forest: Wake this Ground, Arnolfini, Bristol (2022)

State of Print

The State Of Print (SOP) is a proposition; it is an evolving visual declaration initiated by a collective of artists beguiled and amused at the catastrophe of current social and political thinking and the comedy of established systems of governance. The artists have therefore elected to cast adrift on a nonsense of their own (print)making—a makeshift non-geographical region built upon a fluid statute of ink and a constitutional raft of recycled cardboard. The intention has been to explore the current state of nations through the proposition that everything that formalises a nation state is printed – currency, maps, laws, passports, governance, news and information, cultures, doctrines and communications and so on.

Tracy Hill

Tracy Hill studied Fine Art at Bournville School of Art, Birmingham, Sheffield Hallam University and The University of Central Lancashire, Preston. She is the joint research lead of the Artlab Contemporary Print Studios at the University of Central Lancashire, which tests the relevance of printmaking in contemporary, mainstream art by innovation and expanding print practice through a process of continuing collaborative dialogues with artists. Her cross-disciplinary practice investigates and reconsiders the relationship between our developing digital capabilities and the aesthetics of the traditional hand created mark.

Tracy Hill Ephemeral Bodies Exhibition

Matt Smith

Matt explores how history is a constantly selected and refined narrative that presents itself as a fixed and accurate account of the past. Using techniques of institutional critique and artist intervention, his work investigates how museums can be reframed from an outsider, often LGBTQ, perspective by taking objects and repurposing them in new situations, or creating ‘lost objects’. Solo shows have included Queering the Museum (2010) at Birmingham Museum and Art Gallery, Flux: Parian Unpacked (2018) at the Fitzwilliam Museum and Losing Venus (2020-2022) at the Pitt Rivers Museum, Oxford. In 2016 Matt was awarded an AHRC funded practice-based PhD from the University of Brighton exploring the intersection of contemporary art practice and queer identities. From 2017-2022 Matt was Professor of Craft at Konstfack University in Stockholm and in 2016 was artist-in-residence at the V&A where he explored how historic figurines could address questions of representation within the museum. His residency at the CFPR will build on this work.

View the full current artist residencies.

Black History Month 2022: Skills focus

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As part of Black History Month 2022, we are spotlighting individuals working around the following themes:

  • Skills
  • Innovation
  • Research
  • Business

This week we are focusing on Skills:

UWE Bristol in partnership with Black South West Network and NatWest are working to deliver the Green Skills for Jobs and Entrepreneurship (Green Skills) programme. This is an initiative funded by the UK Government’s Community Renewal Fund (CRF) and managed by the West of England Combined Authority (WECA) on behalf of the Department of Levelling Up, Housing and Communities (DLUHC).  

Green Skills is a unique and transformational programme that provides access to jobs, training and business opportunities to Black, Asian and minoritised young people (aged 18-28) and recent graduates living in Bristol, South Gloucestershire, North Somerset, Bath and Northeast Somerset.  

Mayor of Bristol Marvin Rees joined our most recent cohort of learners on one of our programme delivery days, where he spoke to learners about leadership, the Bristol One City plan and the city’s declaration of a climate and ecological emergency drawing on its intersection with racial and social justice and the need for a just and inclusive transition to a greener workforce.   

It was fantastic to meet with young people taking part in the Green Skills for Jobs programme and discuss their concerns and ideas for responding to the climate crisis. It is particularly encouraging to see minoritised communities representing the full diversity of our city given space to engage in these issues and bring solutions to the table.  

We know the impacts of the climate crisis will disproportionately impact minoritised groups, both locally and globally. We also know that there is a huge opportunity for young people to benefit from green jobs and skills, where there is growing demand and expansion. This programme highlights the need to tackle economic and climate justice together and I look forward to seeing what the group go on to do next.

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